Mickey Hart - Born with Drumsticks in his Hands

Michael Steven Hartman, best known as Mickey Hart

On September 11, 1943, in Brooklyn, New York, Michael Steven Hartman, best known as Mickey Hart, was welcomed into the world by his mother, Leah. Mickey’s father, a drummer named Lenny, had left the picture by the time Mickey was born. Mickey was raised solely by his mother, also a drummer, but seemed to inherit musical talent from both of his parents. Mickey Hart soon made the move to California with his family. In 1965, after Hart was discharged from the Air Force, he went back to New York to look for work as a studio session drummer. Not long after, Hart received a letter from his father, inviting him to work in Lenny's drum shop. This combined with a chance encounter with a world-famous percussionist, fueled Hart’s love for the drums. While attending grade school, Hart and the other children were treated to a special performance by famed Nigerian drummer Babatunde Olatunji. As was the norm for many of Olatunji’s school performances, the drummer allowed the children to come to the stage and try out the drums. Hart was one of the kids that took Olatunji up on his offer, and he was never the same again. Mickey Hart is best known for his nearly three decades as an integral part of an extraordinary expedition into the soul and spirit of music, disguised as the rock and roll band the Grateful Dead. As half of the percussion tandem known as the Rhythm Devils, Mickey and Bill Kreutzmann transcended the conventions of rock drumming. Their extended polyrhythmic excursions were highlights of Grateful Dead shows, introducing the band’s audience to an ever-growing arsenal of percussion instruments from around the world. Exposure to these exotic sounds fueled Mickey’s desire to learn about the various cultures that produced them.

His tireless study of the world’s music led Mickey to many great teachers and collaborators, including his partners in Planet Drum. Planet Drum’s self-titled album not only hit #1 on the Billboard World Music Chart, remaining there for 26 weeks, it also received the Grammy for Best World Music Album in 1991– the first Grammy ever awarded in this category. Planet Drum is one of twenty-nine recordings released on Mickey’s the World Series on Rykodisc. The WORLD offers a wide variety of music from virtually every corner of the globe with releases like Voices of the Rainforest from Papua New Guinea and Living Art, Sounding Spirit: The Bali Sessions. In 2002, Mickey established The Endangered Music Fund to return royalty payments from many of these recordings to the indigenous people that produced them, and to further the preservation of sounds and music from around the globe.

Mickey’s experiences have paved the way for unique opportunities beyond the music industry. He composed a major drum production performed by an assembly of 100 percussionists for the opening ceremony of the 1996 Centennial Olympic Games. Additionally, Mickey has composed scores, soundtracks and themes for movies and television including Apocalypse Now, Gang Related, Hearts of Darkness, The Twilight Zone, the 1987 score to The AmericaÍs Cup: The Walter Cronkite Report, Vietnam: A Television History, and The Next Step. In 1994 Mickey was inducted with The Grateful Dead into the Rock and Roll Hall of Fame.

Michael Steven Hartman Mickey Hart

Mickey has written four books documenting his lifelong fascination with the history and mythology of music. These include Drumming at the Edge of Magic, Planet Drum, Spirit into Sound: The Magic of Music, and Songcatchers: In Search of the WorldÍs Music.Long a social activist, Mickey appeared in August, 1991 before the U.S. Senate Committee on Aging, speaking on the healing value of drumming and rhythm on afflictions associated with aging. Since joining the Institute for Music and Neurologic Function at Beth Abraham Hospital in 2000, Mickey is continuing his investigation into the connection between healing and rhythm, and the neural bases of rhythm.In 1999, Mickey was appointed to the Board of Trustees of the American Folklife Center at the Library of Congress where he heads the sub-committee on the digitization and preservation of the Center’s vast collections. In October of 2000, the Saybrook Graduate School and Research Center conferred an honorary doctorate of humane letters upon Mickey for his work in advancing the preservation of aural archives.

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Billy Cobham … Fusion’s Greatest Drummer

Billy Cobham

William C. (aka BILLY) COBHAM was born on May 16th, 1944 in Panama and moved to New York City when he was just three years old. When one looks at Billy's credentials (Miles Davis, Mahavishnu Orchestra, George Duke, Peter Gabriel and many more) it is easy to see he has been one of those important component in many musical situations. Flirting with congas and steel drums at the early age of five, Billy started his musical career. Ever since his breakthrough in the early 1970s-as a founding member of the Mahavishnu Orchestra, and as a drummer/leader whose recordings (such as Spectrum) and powerful, complex style of play exerted a strong influence on the course of jazz and jazz-fusion-Billy Cobham has remained a tireless musical explorer. He played his first gig with his dad when he was just eight, in New York, 5 years after moving from Panama in 1947.Beyond already having a superb musical ear and dynamic technique, he refined his musical education in the New York's High School of Music and Art, in which he learnt more drumming techniques and music theory. Panamanian by birth, a New Yorker by upbringing, and a resident of Switzerland for more than 25 years, Cobham has pursued an ever-broadening, ever-deepening engagement with the world not only as a master drummer and percussionist but as a composer, producer, educator, and clinician who gives service through music even as he constantly expands his personal creative expression.

His career as a jazz rock artist started with no other than the most talked-about jazz musician of the time: MILES DAVIS. He recorded five albums with Miles, including "Bitches Brew" (in which he was uncredited). After military service, during which he played in the U.S. Army Band as percussionist (1965-68), Cobham began working in Horace Silver's band. (While on a European tour with Silver in 1968 he became one of the first percussionists, along with Max Roach and Tony Williams, to use the Electronic Drum Controller made by the Meazzi Drum Company in Milan.) He also performed with Stanley Turrentine and Shirley Scott, and recorded with George Benson. In 1969 Cobham co-founded the fusion group Dreams, which also featured Randy Brecker, Michael Brecker, John Abercrombie, Don Grolnick, Barry Rodgers, and Will Lee. The following year he was invited to join Miles Davis's group and contributed to four pivotal recordings by the trumpeter, including Bitches Brew (where he collaborated with guitarist John McLaughlin) and Tribute to Jack Johnson.

Mahavishnu Orchestra was formed by McLaughlin in 1971 with Cobham, Jan Hammer, Jerry Goodman, and Rick Laird. They released three acclaimed albums (beginning with Inner Mounting Flame) before the band was dissolved and Cobham chose to launch his solo career with Spectrum, one of the definitive albums of the jazz-rock era. During the 1970s and '80s, he recorded steadily as a leader for Atlantic, CBS, Elektra, and GRP, collaborating with artists ranging from George Duke, John Scofield, and Tony Williams to Jack Bruce and the Grateful Dead, both on stage and in the studio. Cobham was engaged by UNICEF in 1992 to work with autistic outpatients and street children in Santos (near São Paulo), Brazil, in a musical project of several years' duration.

Billy Cobham Drummer

He has performed on hundreds of records with his own groups and with some of the music's most luminary artists, and his trademark - biggest, fastest, explosive drumming - has energized the international stages of concerts, symphonies, big bands, Broadway, festivals, television and video. He has been a teacher of his artistry, giving drum clinics, conducting workshops and symposiums throughout the world. His stylistic influence, which has literally created a category of music, is an outstanding part of the history of modern music.

Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings — including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra — before he became an accomplished bandleader in his own right. At his best, Cobham harnessed his amazing dexterity into thundering, high-octane hybrids of jazz complexity and rock & roll aggression. He was capable of subtler, funkier grooves on the one hand, and awe-inspiring solo improvisations on the other; in fact, his technical virtuosity was such that his flash could sometimes overwhelm his music. Only a few times in history has a musician been singled out as the world class master of his instrument. Billy Cobham is one of those few artists. For over 30 years, he has received international acclaim as the total consummate percussionist. The legendary Billy Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements.

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