Michael Steven Hartman, best known as Mickey Hart |
On September 11, 1943, in
Brooklyn, New York, Michael Steven Hartman, best known as Mickey Hart, was
welcomed into the world by his mother, Leah. Mickey’s father, a drummer named
Lenny, had left the picture by the time Mickey was born. Mickey was raised
solely by his mother, also a drummer, but seemed to inherit musical talent from
both of his parents. Mickey Hart soon made the move to California with his
family. In 1965, after Hart was discharged from the Air Force, he went back to
New York to look for work as a studio session drummer. Not long after, Hart
received a letter from his father, inviting him to work in Lenny's drum shop.
This combined with a chance encounter with a world-famous percussionist, fueled
Hart’s love for the drums. While attending grade school, Hart and the other
children were treated to a special performance by famed Nigerian drummer
Babatunde Olatunji. As was the norm for many of Olatunji’s school performances,
the drummer allowed the children to come to the stage and try out the drums.
Hart was one of the kids that took Olatunji up on his offer, and he was never
the same again. Mickey Hart is best known for his nearly three decades as an
integral part of an extraordinary expedition into the soul and spirit of music,
disguised as the rock and roll band the Grateful Dead. As half of the
percussion tandem known as the Rhythm Devils, Mickey and Bill Kreutzmann
transcended the conventions of rock drumming. Their extended polyrhythmic
excursions were highlights of Grateful Dead shows, introducing the band’s
audience to an ever-growing arsenal of percussion instruments from around the
world. Exposure to these exotic sounds fueled Mickey’s desire to learn about the
various cultures that produced them.
His tireless study of the world’s
music led Mickey to many great teachers and collaborators, including his
partners in Planet Drum. Planet Drum’s self-titled album not only hit #1 on the
Billboard World Music Chart, remaining there for 26 weeks, it also received the
Grammy for Best World Music Album in 1991– the first Grammy ever awarded in
this category. Planet Drum is one of twenty-nine recordings released on
Mickey’s the World Series on Rykodisc. The WORLD offers a wide variety of music
from virtually every corner of the globe with releases like Voices of the
Rainforest from Papua New Guinea and Living Art, Sounding Spirit: The Bali
Sessions. In 2002, Mickey established The Endangered Music Fund to return royalty
payments from many of these recordings to the indigenous people that produced
them, and to further the preservation of sounds and music from around the
globe.
Mickey’s experiences have paved
the way for unique opportunities beyond the music industry. He composed a major
drum production performed by an assembly of 100 percussionists for the opening
ceremony of the 1996 Centennial Olympic Games. Additionally, Mickey has
composed scores, soundtracks and themes for movies and television including
Apocalypse Now, Gang Related, Hearts of Darkness, The Twilight Zone, the 1987
score to The AmericaÍs Cup: The Walter Cronkite Report, Vietnam: A Television
History, and The Next Step. In 1994 Mickey was inducted with The Grateful Dead
into the Rock and Roll Hall of Fame.
Michael Steven Hartman Mickey Hart |
Mickey has written four books
documenting his lifelong fascination with the history and mythology of music.
These include Drumming at the Edge of Magic, Planet Drum, Spirit into Sound:
The Magic of Music, and Songcatchers: In Search of the WorldÍs Music.Long a
social activist, Mickey appeared in August, 1991 before the U.S. Senate
Committee on Aging, speaking on the healing value of drumming and rhythm on
afflictions associated with aging. Since joining the Institute for Music and
Neurologic Function at Beth Abraham Hospital in 2000, Mickey is continuing his
investigation into the connection between healing and rhythm, and the neural
bases of rhythm.In 1999, Mickey was appointed to the Board of Trustees of the
American Folklife Center at the Library of Congress where he heads the
sub-committee on the digitization and preservation of the Center’s vast
collections. In October of 2000, the Saybrook Graduate School and Research
Center conferred an honorary doctorate of humane letters upon Mickey for his
work in advancing the preservation of aural archives.
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